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    Volume 3, Issue 1.1

    Editorial – A/r/tography and the Visual Arts
    by Rita L. Irwin and Anita Sinner
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    Volume 3, Issue 1.2

    Educational Research, Photo Essays and Film: Facts, analogies and arguments in Visual A/r/tography
    by Ricardo Marín-Viadel, Joaquín Roldán,
    Miguel A. Cepeda-Morales
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    Volume 3, Issue 1.3

    Indigenising research through a/r/tography A case study of a collaborative filmmaking project in Papua New Guinea
    by Verena Thomas
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    Volume 3, Issue 1.4

    Interlude: Drawing group: The table was set in an artful fashion
    by Petra Zantingh
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    Volume 3, Issue 1.5

    Seeing Learning Disability through Re/claiming a Book: An A/r/tographic Inquiry
    by McClain Percy
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    Volume 3, Issue 1.6

    Engaging A/r/tography to Reveal Countertransference: Enhancing Self-Awareness in Caregiving Professionals
    by Susana Lauraine McCune
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    Volume 3, Issue 1.7

    Interlude: Border Crossings: An a/r/tographic inquiry into disabling illness
    by Zulis Yalte
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    Volume 3, Issue 1.8

    Abstracting Children: Rendering Pedagogy in a Digital Art/Research/Text
    by Marta Kawka
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    Volume 3, Issue 1.9

    A Journey of Trust: Navigating Aesthetic Experience in a Pre-service Classroom
    by Stephanie A. Baer
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    Volume 3, Issue 1.10

    Interlude: Translated Energy
    by Christy Ortiz
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    Volume 3, Issue 1.11

    The Art-Based Teachers’ Professional development in the A/r/tographic Community
    by Hung, Yung-Shan
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    Volume 3, Issue 1.12

    Preparing a gallery talk as lived inquiry: Exploring the spaces in-between knowledge in art museum education
    by Marie-France Berard
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    Volume 3, Issue 1.13

    Interlude: Dialogical Space
    by Heidi May
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    Volume 3, Issue 1.14

    Landscape as metaphor/metonymy for classroom spaces: an a/r/to(bio)graphical approach for researching and imagining difference
    by Natalie Kauffman
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    Volume 3, Issue 1.15

    Becoming a Crossroads: An a/r/tographic journey in the borderlands
    by Mindy R. Carter
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    Volume 3, Issue 1.16

    Displacement: The mandala guides me home towards different ways of knowing
    by Lucille Korwin-Kossakowski
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    Volume 3, Issue 1.17

    Text and Texture: An Arts-based Exploration o Transformation in Adult Learning
    by Enid E. Larsen
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    Volume 3, Issue 1.18

    Interlude: Artist/ researcher/ teacher in Transit
    by Corinna Peterken
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    Volume 3, Issue 1.19

    Smelly Ontology in A/r/tography: The Agency of Decay
    by Patti Pente
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    Volume 3, Issue 1.20

    Interlude: What Saved Me
    by Daniel T. Barney

Guest Editors

Rita L. Irwin and Anita Sinner

To be engaged in the practice of a/r/tography means to inquire in the world through an ongoing process of art making in any art form and writing not separate or illustrative of each other but interconnected and woven through each other to create relational and/or enhanced meanings. A/r/tographical work are often rendered through the methodological concepts of contiguity, living inquiry, openings, metaphor/metonymy, reverberations and excess, which are enacted and presented/performed when a relational aesthetic inquiry condition is envisioned as embodied understandings and exchanges between art and text, and between and among the broadly conceived identities of artist/researcher/teacher. A/r/tography is inherently about self as artist/researcher/teacher yet it is also social when groups or communities of a/r/tographers come together to engage in shared inquiries, act as critical friends, articulate an evolution of research questions, and present their collective evocative/provocative works to others.

This special issue of Multi-Disciplinary Research in the Arts invites original creative and scholarly inquiry that engages in critical debates and issues regarding a/r/tographical methodologies; are exemplars of critical approaches to a/r/tographical research; and/or extend the boundaries of inquiry-based research. Contributions are welcome from disciplines across the arts, humanities and social sciences and in a wide range of formats including articles, essays, and artistic interludes, which explore diverse forms of the arts from drama, dance, poetry, narrative, music, visual arts, digital media and more.